Coach Watch Series - 5: William Carpenter

I featured William Carpenter in a post here, ‘Soho Sophistication’, 29 January 2016 http://theoldwatchword.blogspot.co.uk/2016/01/soho-sophistication.html.  On 14 May another of his watches was sold at the Dr. Crott auction at Frankfurt Airport – it’s an especially nice one too! 

Movement #4552 is quite small at 68 mm.  A particularly attractive feature is the visible escapement.

 

Courtesy of Auktionen Dr. Crott, Germany

 

Courtesy of Auktionen Dr. Crott, Germany

 

This very desirable watch sold for €13100, (£10,274).

Coach Watch Series - 4: The Brockbanks

The brothers John and Miles Brockbank were watchmakers active from the mid eighteenth to the early nineteenth centuries.  An excellent, highly detailed account of the business by Dr Alexander Stewart was published in Antiquarian Horology, volume 34, no. 6, December 2015.  Briefly, in summary: 

·         Main premises location, (from 1777), was 7 Cowper’s Court

·         The firm was initially noted for its musical Coach Watches

·         John, the dominant partner, became bankrupt in 1783, probably as a result of losses incurred in the hazardous export trade with the Far East

·         The firm’s most famous employee was Thomas Earnshaw

·         In the Earnshaw-Arnold disputed claim for credit for the ‘invention’ of the spring detent escapement, both sides argued that the Brockbanks had been guilty of leaking details of the escapement to their opponent

·         From 1789 the Brockbanks became best known for their Chronometers

·         After John’s death in 1806, Miles was briefly in partnership with John’s sons, John E and William, together with James Beck and William Grove

·         The firm became Brockbank & Atkins in 1815 and continued until 1835 in this guise 

According to Dr Stewart, eleven Coach Watches are known, made between 1780-95, within a number range, 1 – 11 and in varying sizes between 100 and 160mm.  This is number 8, a gilt hour repeater with music played on 6 bells.  It has a cylinder escapement and a lever operated mechanism to stop the centre seconds hand.  Diameter is 132mm.  How elegant is that?

 

Courtesy of La Cote des Montres

 

 

 

 

Function or Fashion?

The original draft of my article on John Grant of Fleet Street, published in the February 2016 issue of Clocks Magazine, included some extensive narrative about and depiction of Benjamin Webb’s Patent Polar Watches.  During the editing process a good deal of this was removed, mainly because of some difficulties experienced with the copyright holders for the images I had intended to use for illustrative purposes.  Subsequently the issue has been resolved – not just in regard to the specific material, but as a broad principle.  As a matter of policy, the Museum of the History of Science, Oxford has now decided to allow images available on its website to be freely downloadable for use by academic publications with a low print-run.

John Grant’s business was distinguished by an innovative approach both to manufacturing and retailing.  This latter aspect was well evidenced by the offering of Webb’s Polar Watches.  These dual-purpose instruments are certainly interesting in their own right.  They are an example of a favourite ‘branch’ of watchmaking of mine: multi-functionality – a trend that emerged in the late 18^th/early 19^th centuries, including Coach Watches – with four or five time metrics – Chronographs, and such as the Watch-Pedometers of Ralph Gout and Polar Watches of Benjamin Webb. 

I’d like to reproduce here the ‘look’ of the Polar Watches and the related promotional material as I believe it represents the period extremely well:

The Times 9-10-1799

 

 

© Museum of the History of Science, University of Oxford

 

Sotheby’s offered a Polar Watch, #81, at their sale, ‘Important Watches, Clocks and Automata’, 20 October 2009, New York, with an estimate of $5,000-$7,000:

 

Courtesy of Sotheby’s

 

This is #146, sold by Sotheby’s in 2002 for £1,292:

 

 

Courtesy of Sotheby’s

#45 can be seen on the Antiquorum website.  It is very similar to #81. 
 

#123 – movement only, is held at The British Museum and further examples are in the Worshipful Company of Clockmakers’ collection, (#129) and York Castle Museum.  According to Paul Tuck, in his ‘Horology Under the Hammer’, Antiquarian Horology, Vol 21, #2, 1993, the Polar Watch featured a Duplex escapement. 
 

Although Webb liked to feature, ‘The King’s Patent’, prominently, it was not his own.  The reference is to Patent #2280, December 1798, in the name of John Randall Peckham of Bermondsey.

 

Webb was amongst the Makers quoted in a 1798 Parliamentary Report on the petitions for repeal of the Duties on Clocks and Watches Act 1797.  Webb summarized his loss of business with the following data:

 

	1796	1797	1798	Decrease from 1st July to 31st December:
From January 1st to June 30th	1,220	1,088
July 1st to December 31st	1,990	565
Total	2,410	1,653		625
In the last Four Months				Decrease in:
November	231	123		November  108
December	126	53		December    73
January	101	125	47	January       78
February	249	267	6	February    261   Total         520

Webb stated that he had been in business for 27 years and had never before seen such a sudden fluctuation in business volume.  He added that it had become very common to substitute silver/base metal for gold in the making of cases.

 

Evidence from John Grant was also heard in regard to the Act. 
 

The Polar Watches are usually ascribed to the dates, circa 1800-05, and evidence of Webb’s subsequent prosperity is lacking.  The British Museum notes him as active up to 1811.  Although the trading title, Benjamin Webb & Son was in use at the time of the marketing of the Polar Watches, little is known about his offspring, James.  Baillie lists him: London (St John’s Sq) 1799.  There is also a Robert with St John’s Sq given as location, and dates 1815-25.

 

Although the Polar Watch concept and its marketability were unproven, just in case it was about to become highly sought after, the commercially vigilant Swiss were not slow to create similar – though less elegant – similar instruments, this for example:

 

Courtesy Cogs & Pieces 

 

The theoretical ‘need’ for Webb’s creation was probably not sustained by practical experience.  The carrying of a compass would not have been especially onerous for a mariner or explorer, used to working with one in any event.  Equally, a relatively small compass housed in tandem with a timepiece would be unlikely to offer the accuracy/stability of a stand-alone instrument.  No doubt there was an initial talking-point value whereby the flourishing of his Polar Watch emphasised the trendiness of a young Gentleman about Town.  However, as the new century got into its stride the underlying quality and elegance of form implied by the term ‘Chronometer’ probably soon attracted the fashion-conscious watch buyer’s attention, at the expense of a ‘novelty’ such as Webb’s.