Showing posts with label Clocks Magazine. Show all posts
Showing posts with label Clocks Magazine. Show all posts

Wednesday, 4 May 2022

Clever but Cranky


Just published in Clocks Magazine is my article on William Schoof.

Researching Schoof led me to read about Schleswig-Holstein, for the first time since my days at grammar school - rather a long time ago nowadays!  Schoof was born in Flensburg located in that state, but came to London in 1856.  He then established himself as a watchmaker and built a considerable reputation over a forty year career.  He sought to innovate with a 10 tooth chronometer lever escapement and in promoting his ideas became thought of as somewhat cantankerous by his trade peers.  In the obituary published by The Horological Journal, Schoof was characterised thus:

He was a remarkably clever man but he had imbibed some peculiar views as to the principles underlying the construction of mechanism(s) which were not generally accepted, and though genial and good-hearted, would press his theories somewhat offensively, and in so doing often gave offence.  In fact those who knew him and respected him found it the best plan not to argue with him at all on his favourite subject.

The article also covers Schoof's two brushes with the law - first his inadvertent involvement in a terrorist plot in which a large stash of weapons was discovered on his premises.  Later, Schoof was far from blameless, being accused of false imprisonment.

The May 2022 issue of Clocks Magazine is available here.

Tuesday, 26 March 2019

Rags to Riches to Rags

In researching nineteenth century watchmakers  I often find I'm looking at a family business characterised by a diligent, hard-working founder who built up reputation, turnover and capital value, and by sons/grandsons who seem to have taken things for granted and presided over commercial demise, sometimes to the point of bankruptcy.  One such 'story' concerns David Keys (born 1816), and his son, William (born 1856). My account of David's initial success and of William's failure is published in the April 2019 issue of Clocks Magazine

Today, discussion of business models is no longer something that takes place only in a high-powered management consultancy or financial institution.  With the recent attainment of the potential facilitation/cost effectiveness of marketing through digital channels, the working principles of all sorts of commercial enterprises, and the need for these principles to change, has become a frequently examined subject in media coverage of current affairs.  Notably, most people - whatever their own occupation/profession - are familiar with the travails of the retail sector, witnessing in our own high streets and malls the disappearance of stores whose names had been familiar (and loved/respected) throughout our lifetimes.

In the current volatile milieu it isn't just old, traditional businesses that have had to reconsider their business model - Apple, for instance, underpinned by vast revenues over recent decades and said to be the global number one brand, has just announced its strategic shift from relying on producing physical goods to an enterprise generating subscription income from a television platform which will integrate with other service provisions and transactional activities.

The commercial environment in the later years of the nineteenth century was similarly volatile. Industrialisation, transfer of the populace from rural to urban locations and improved communication/transportation resources were major factors in a time of great change.  The concept of readily available 'consumer goods' required that shops/stores should become proactive marketers and to survive they needed to find competitive edge.  That William Keys recognised this in the 1880s is to his credit, but that his resulting actions were so ineffective is sad - everything that David had built-up over forty years was dissipated by William within ten.

Marine Chronometer, 1892
Courtesy of Konrad Knirim

Saturday, 16 March 2019

Three Follow-ups

I posted about Alexander Watkins and his very fine 1851 Pocket Chronometer in April 2016. As noted in my Clocks Magazine article about Watkins, this watch changed hands in a Sotheby's sale in 2004 for £51,000 - this has always seemed to me a meagre amount for such an attractive and historically-significant timepiece.  So I shall be very interested to see what it makes when it comes up again this summer.  This will be Jones & Horan's sale on Sunday 2nd June - for further details see here. In my experience this is an auction house which really knows its stuff, and their team has in the past been very friendly and helpful to me in my horological researches.



More recently, Isaac Court's 'Patent Time Repeater' featured here.  Rich Newman kindly got in touch from Chicago to let me know about other applications of this fascinating invention - covered in his article:


I've done it again!  Back in November 2015 I was bemoaning missing out on an Alexander Hare pocket watch.  Even more regrettable this time, in the recent sale at Canterbury Auction Galleries.  This was a good example of how much value can be obtained in terms of character and complication if precious metal case material is not so important to a collector:

Courtesy of Canterbury Auction Galleries

To my eye this is a very attractive verge (#386), and not expensive at a hammer price of  £1,900; ah well.

Saturday, 8 December 2018

George Philcox

My nearest big town is Canterbury.  The medieval appearance of the area around the Cathedral Gate is relatively intact, despite a campaign of spiteful, (being of no strategic importance), bombing by the Luftwaffe in 1942, (the Baedeker raids).  It makes for an attractive shopping area with a pleasing atmosphere, much like parts of the centre of York.  Among the narrow cobbled roads here is Sun Street which connects with Burgate and Palace Street.  





George Philcox began his career in Palace Street as a Clock and Watch maker in 1820, advertising himself:


But just two years later, having moved in the meantime to Sun Street, George was needing to liquidate his stock-in-trade:


George was to demonstrate resilience throughout his life and at this early stage it took him only a further twelve months to re-establish himself:



Philcox, and his son of the same name, were active in the watchmaking trade from around 1820 through to the 1880s.  Their story is a fascinating one, featuring several scrapes with the Law and financial 'challenges.'  My article on them is published in the December 2018 issue of Clocks Magazine


Newspaper illustrations © The British Library Board

Friday, 1 June 2018

John Cashmore

Earlier this year I became interested in John Cashmore, a later-nineteenth century London watchmaker.  Although not especially innovative, Cashmore's quality was consistently  good and he achieved a reputation for excellence.  Here, below, is an example of his output:


Described as follows:

A Minute Repeater in 18ct. Gold Hunter case and with keyless, lever movement. Signed John Cashmore, London, no.5955, 1881.  A frosted gilt three-quarter plate movement jewelled to the centre with screwed chatons, free sprung bimetallic compensation balance with diamond endstone, gold cuvette, white enamel dial with roman numerals, subsidiary seconds, gold hour and minute hands, polished case with engraved monogram and repeat slide in the band, casemaker's initials GAP,  diameter 56mm. (Description and photograph courtesy of Christie's.)

Over time 'John Cashmore' became a brand, watches by this name being marketed for some time after his retirement in 1899.

My illustrated article on John Cashmore features in the June issue of 'Clocks' magazine.


Friday, 19 January 2018

In Print

In response to an e-mail enquiry - thanks for your interest in my work Johann - here's a list of my recent print-published horology articles:

Title
Subject
Publication
Issue Date
Grant of Fleet Street
John Grant and his son
Clocks Magazine
February 2016
Alexander Watkins 1
Watkins and his family
Clocks Magazine
April 2016
Alexander Watkins 2
Watkins and his family
Clocks Magazine
May 2016
Man or Brand?
Ralph and David Gout
Antiquarian Horology
June 2016
John Poole
John Poole
Clocks Magazine
August 2016
Ahead of its Time
George Sanderson
Clocks Magazine
March 2017
Impoverished Innovator
Joseph Berrollas
Antiquarian Horology
June 2017
The Circumvoluting Brand
Sigismund Rentzsch
Clocks Magazine
September 2017
Margetts
George Margetts
Clocks Magazine
December 2017

Thursday, 14 April 2016

Small is Beautiful

Clocks’ Magazine in its April 2016 issue has published the first part of my article on Alexander Watkins.  Watkins was making fine chronometers in the mid-nineteenth century, trading from a prestigious London address: 67 Strand. 

For students of horology, Watkins is best known for his ‘miniaturised’ chronometer made for the 1851 Great Exhibition.  With its unusually small movement and gold, delicately ornamented case, it is a very fine aesthetic and technical achievement.  However, as I often find, there’s as much interest in a watchmaker’s personal story and the social/commercial setting in which he worked as in his design and manufacturing activities. 

So my article, whilst detailing some of Watkins’s watches and movements and his ideas for simpler watches to combat the influx of Swiss timepieces, also explores the circumstances of an attempted murder and the very marked divide in Victorian society between an affluent family and an ‘ordinary’ one.
 
1851 Great Exhibition gold chronometer
Courtesy of Sotheby’s
 
Watkins left a legacy of innovation and quality of work confirmed by the examples held in the collections of The British Museum and The Worshipful Company of Clockmakers.

Saturday, 20 February 2016

Function or Fashion?

The original draft of my article on John Grant of Fleet Street, published in the February 2016 issue of Clocks Magazine, included some extensive narrative about and depiction of Benjamin Webb’s Patent Polar Watches.  During the editing process a good deal of this was removed, mainly because of some difficulties experienced with the copyright holders for the images I had intended to use for illustrative purposes.  Subsequently the issue has been resolved – not just in regard to the specific material, but as a broad principle.  As a matter of policy, the Museum of the History of Science, Oxford has now decided to allow images available on its website to be freely downloadable for use by academic publications with a low print-run.

John Grant’s business was distinguished by an innovative approach both to manufacturing and retailing.  This latter aspect was well evidenced by the offering of Webb’s Polar Watches.  These dual-purpose instruments are certainly interesting in their own right.  They are an example of a favourite ‘branch’ of watchmaking of mine: multi-functionality – a trend that emerged in the late 18th/early 19th centuries, including Coach Watches – with four or five time metrics – Chronographs, and such as the Watch-Pedometers of Ralph Gout and Polar Watches of Benjamin Webb. 

I’d like to reproduce here the ‘look’ of the Polar Watches and the related promotional material as I believe it represents the period extremely well:

The Times 9-10-1799
 
 
© Museum of the History of Science, University of Oxford
 
Sotheby’s offered a Polar Watch, #81, at their sale,Important Watches, Clocks and Automata’, 20 October 2009, New York, with an estimate of $5,000-$7,000:
 
Courtesy of Sotheby’s
 
This is #146, sold by Sotheby’s in 2002 for £1,292:
 
 
Courtesy of Sotheby’s
#45 can be seen on the Antiquorum website.  It is very similar to #81. 
 
#123 – movement only, is held at The British Museum and further examples are in the Worshipful Company of Clockmakers’ collection, (#129) and York Castle Museum.  According to Paul Tuck, in his ‘Horology Under the Hammer’, Antiquarian Horology, Vol 21, #2, 1993, the Polar Watch featured a Duplex escapement. 
 
Although Webb liked to feature, ‘The King’s Patent’, prominently, it was not his own.  The reference is to Patent #2280, December 1798, in the name of John Randall Peckham of Bermondsey.
 
Webb was amongst the Makers quoted in a 1798 Parliamentary Report on the petitions for repeal of the Duties on Clocks and Watches Act 1797.  Webb summarized his loss of business with the following data:

 

 

1796

1797

1798

Decrease from 1st July to 31st December:

From January 1st to June 30th

1,220

1,088

 

 

July 1st to December 31st

1,990

565

 

 

Total

2,410

1,653

 

625

In the last Four Months

 

 

 

Decrease in:

November

231

123

 

November  108

December

126

53

 

December    73

January

101

125

47

January       78

February

249

267

6

February    261

 

Total         520


Webb stated that he had been in business for 27 years and had never before seen such a sudden fluctuation in business volume.  He added that it had become very common to substitute silver/base metal for gold in the making of cases.

 
Evidence from John Grant was also heard in regard to the Act. 
 
The Polar Watches are usually ascribed to the dates, circa 1800-05, and evidence of Webb’s subsequent prosperity is lacking.  The British Museum notes him as active up to 1811.  Although the trading title, Benjamin Webb & Son was in use at the time of the marketing of the Polar Watches, little is known about his offspring, James.  Baillie lists him: London (St John’s Sq) 1799.  There is also a Robert with St John’s Sq given as location, and dates 1815-25.
 
Although the Polar Watch concept and its marketability were unproven, just in case it was about to become highly sought after, the commercially vigilant Swiss were not slow to create similar – though less elegant – similar instruments, this for example:
 
Courtesy Cogs & Pieces 
 
The theoretical ‘need’ for Webb’s creation was probably not sustained by practical experience.  The carrying of a compass would not have been especially onerous for a mariner or explorer, used to working with one in any event.  Equally, a relatively small compass housed in tandem with a timepiece would be unlikely to offer the accuracy/stability of a stand-alone instrument.  No doubt there was an initial talking-point value whereby the flourishing of his Polar Watch emphasised the trendiness of a young Gentleman about Town.  However, as the new century got into its stride the underlying quality and elegance of form implied by the term ‘Chronometer’ probably soon attracted the fashion-conscious watch buyer’s attention, at the expense of a ‘novelty’ such as Webb’s.