Showing posts with label Great Exhibition. Show all posts
Showing posts with label Great Exhibition. Show all posts

Friday, 20 December 2019

Jose Rodriguez Losada




Marine Chronometer #1765, by J R Losada

The January 2020 issue of Clocks Magazine features my article on the watch and clockmaking businesses founded in the eighteen thirties in London by Spaniard, Jose Rodriguez Losada.  It is a convoluted saga, with many aspects of interest, and one that continued through to the century’s closing decade.

Losada and his nephews had a modern approach to marketing and exploited a range of means by which their products would be seen as being of high quality – for example by trading from prestige location premises, (Regent Street), illustrated press advertising, participation in international exhibitions and endorsement by government/military authorities.

This latter consideration was sought by many makers throughout the nineteenth century by entering their chronometers into annual trials conducted at Greenwich Observatory.  These trials tested the accuracy of submitted timepieces over a period of seven or eight months and in varying ambient temperatures.  Originally instituted in 1822, after a break in the mid-eighteen thirties, the trials were held each year through to the outbreak of the First World War.  The results formed the basis on which the Admiralty made purchasing decisions for the marine chronometer requirements of the Navy’s ships.  When a chronometer was thus selected, its maker greatly valued the consequence that they could then inscribe, ‘Maker to the Admiralty’ on the plates of their movements and use the accolade in their advertising.

The number of makers/instruments submitted to the trials varied considerably over the years.  As few as 17 chronometers were tested in 1852, while the count was up to 58 in 1861.  The low number may well reflect makers’ alternative focus on preparing for their participation in the Great Exhibition of 1851, and it is perhaps relevant to note that the number dipped from the 1861 high to 36 in 1862 – the year of the International Exhibition.  Most makers submitted two chronometers and in many instances, year after year.  The average number tested in the 1840s was 38, in the 1850s, 23, and in the 1860s, 51.

Losada was atypical in his approach to the Greenwich Trials.  He submitted his #1417 in 1849, and it was placed 20th of 31 in terms of accuracy.  I think he viewed this result as potentially counter-productive – that if he couldn’t achieve a top-ten result by participating he was risking having his products seen as inferior to those of several of his competitors.  So he did not submit again.  If this left him missing a potential product feature he could advertise – ‘Maker to the Admiralty’ – his later deal with the Spanish Government to supply 38 chronometers, will have compensated.

Losada’s nephew, Jose del Riego, entered his chronometer, #3890, to the trials in 1882.  Unfortunately, his result was much worse than Losada’s – 46th of 46.  Not surprising therefore that no further Riego chronometers found their way to Greenwich in subsequent years!

Monday, 3 June 2019

Mr Watkins would not have been amused

Following up my March 2019 post, I was very surprised to find that the beautiful little Pocket Chronometer by Alexander Watkins made only $8,600 at auction on 2nd June.  Bearing in mind that it featured in the 1851 Great Exhibition and is a 'one-off'' piece of horological history, the £51,000 it sold for fifteen years ago seemed fairly modest, and how it can have achieved such a very much smaller hammer price now is a real mystery to me.  Someone has acquired for themselves a wonderful bargain!

In cataloging the Chronometer Jones & Horan made available some new images, including several of the cases, and courtesy of J&H, here is a selection:






And, surely, the presence of these accoutrements, should have supported a higher resale value?  I'm certain that Alexander, a notably proud man, would have expected so.

Thursday, 14 February 2019

Henry Delolme

Born in Braunschweig (Brunswick), Lower Saxony, in 1799, Henry Delolme was the youngest son of horologist Antoine Nicolas Delolme. The name Delolme is associated primarily with that part of south west France abutting the Swiss watchmaking region centred on Geneva.  It is logical to conclude that the Delolme family was of French origin but relocated progressively for reasons of trade during the seventeenth/eighteenth centuries to Switzerland and subsequently to the central German state.

Antoine gained a reputation for high quality work and was appointed Clockmaker to the Braunschweig Court in the 1780s.  The City experienced considerable turmoil during the early decades of the nineteenth century, being occupied by the French as a Napoleonic conquest in 1806.  Subsequently, the Congress of Vienna established a Duchy of Braunschweig, with the City as its capital.  The regime was notably illiberal, (resulting in 1830 in an uprising and the Duke’s (Charles) replacement by his brother William,) and this was no doubt the main reason why the Delolme family (and others of their like) emigrated around 1810.  Antoine’s later clocks are signed Delolme, Paris, whilst by circa 1827 Henry had set up business in London.  It is likely that Henry formed a partiality for the French in deference to his family’s origins and his own experience during his brief period as a teenager residing in Paris, perhaps as their capital offered a welcoming milieu much in contrast with the repressions and conflicts he had observed in the city of his birth.   The earliest documentary evidence for Henry’s residence in England has been found in the archive (Volume 515) of the insurers, Sun Life, with the entry:

23 January 1827, 1054306, Henry Delolme, 23 Rathbone St., Watchmaker.  On his household goods wearing apparel printed books and plate in his now dwelling house only situate as aforesaid brick, £80 £80. Stock utensils therein only £220, £220, £300.

The next extant record results from his marriage in 1829 to Amelia Lebarthe.  A newspaper report of the theft of watches from Delolme refers to the Business’s location at Rathbone Place but does not clarify the apparent anomaly regarding the building’s number – no.23 in the insurance record, but always no.48 elsewhere.

Fig.1 Cylinder pocket watch
by Antoine Delolme c1820.
Courtesy of Dr Crott Auktionen

Henry and Amelia had six children: John Lewis Anthony, born 18-10-1829, Henry, born 4-01-1833, (died aged 11 months), Jules Charles, born 4-01-1836, Charles John, born 11-09-1837 (d. 1915); Henrietta Charlotte, born 15-03-1839 (married Walter Gorges (Brunswick) 10-10-1867); Louise Gustave, born 08-07-1841.  Charles John initially trained to become a civil engineer, but by 1871 he was assisting in his Father’s business and is referred to as a watchmaker in the 1881 Census return.  The family home and business premises were, as above, at 48 Rathbone Place, which is a turning off the north side of Oxford Street, close to the major junction with Tottenham Court Road.

The 1842 edition of Robson’s London Directory features the listing: 48 Rathbone Place – Henry Delolme, watchmaker and importer of Parisian clocks and Musical Boxes and Importers of Geneva Watch Tools and Materials.  Throughout that decade Delolme developed the quality and range of his products.  Notably, he began to offer Marine Chronometers, for which at that time there was ready and increasing demand in accordance with the navigational needs of an expanding shipping industry driven by global trading.  Thus, by 1851, Delolme’s exhibits in the Great Exhibition included, in addition to seven gold Pocket Watches, two Marine Chronometers.  The latter were based on rough movements sourced from the Prescot (Lancashire) manufactories.  Probably informed by his Continental heritage, he was differentiating his Pocket Watches from those of his more traditional English competitors by seeking to make them as unbulky as possible.  In reviewing his exhibits, a newspaper report observed:

Mr. Delom (sic), of 48 Rathbone-place, exhibits a handsome collection of watches, containing many improvements in construction, the result of his long scientific experience.  By dispensing with the fusee he obtains more room for the other works, and is thus enabled to comply with the present taste for flat watches without any sacrifice of strength or durability.  The duty of the fusee in regulating the inequality of the mainspring is performed by an ingenious contrivance which he very learnedly calls an ‘isochrone pendulum spring’ – this sonorous epithet being the only part of his work which is not entirely of English manufacture.

(Note:  There’s some ‘marketing-speak at play here in order to suggest novelty and a unique feature: after all, as long ago as 1782, John Arnold’s patent, #1328, was summarised as being applicable to, ‘Escapement and balance, to compensate the effects of heat and cold in pocket-chronometers or watches, also for incurvating the two ends of the helical spring, to render the expansion and contraction of the spring concentric with the centre of the balance.’)

Regarding his Chronometers, Delolme was bracketed with some of the most renowned English makers:

In marine and pocket chronometers we have a very creditable display of first-rate workmanship . . . we may mention the well known names of Arnold, Frodsham, Barraud, Dent, Delolme, Gowland. (Morning Chronicle, 9 May 1851)

Around this date Delolme adopted an image of a Marine Chronometer for his advertisement:

Courtesy www.925-1000.com

This is earliest extant Delolme Marine Chronometer currently found:

Courtesy eBay member ‘martawatch’

It has a 2-day movement with Earnshaw-type spring detent escapement.  Numbered 501, it is probable that this is an example of Delolme’s output considerably prior to his participation in the Great Exhibition.  The highest number extant is 1002.  In Chronometer Makers of the World, Tony Mercer indicates a known movement number of 2248 with date attribution of 1899, (9 years after Henry’s death).  He also records examples in a movement number range of 96 to 1355.  Mercer also wrote of Delolme, intriguingly, ‘Honest and straightforward but lost all his money; also, ‘George Oram, chronometer maker, collected funds to his modest requirements.’  There is, however, no record of a formal business partnership involving Delolme and Oram, his contemporary and proprietor of a commercially successful horological business based at Wilmington Square, Clerkenwell.  But whether or not Delolme made the most financially of his talents, the Business was substantial enough to support the employment of four watchmakers.

And beyond his own enterprise he had a care and concern for people employed in the Trade.  With the difficulties English watchmakers experienced in the mid-nineteenth century, especially as a result of loss of market share consequent on the popularity of imported products from Switzerland and America, came a desire by the more successful ‘names’ to alleviate hardship in the Trade’s workforce.  In particular there was a need for accommodation for elderly practitioners who could no longer work and/or afford to rent a home or premises.  As a partial solution, a community of alms houses in New Southgate, known as the Clock and Watch Maker’s Asylum was established in 1857.  Henry was a noted, prominent attender at the Asylum’s inaugural dinner held at the Albion Tavern, Aldersgate Street.

That Delolme had a finely developed social conscience is further indicated by his association with the French Protestant Evangelical Church.  Henry was nominated as a trustee in 1867. He subsequently took on the role of Treasurer to safeguard the funds sought by charitable appeals, an example of which being:

Mission of the French Protestant Evangelical Church in Bayswater:  This mission, by means of which large numbers of foreigners are every year in many ways benefitted, irrespective of creed or nationality, stands in deep need of aid at this present time.  The mission supports a deaconess and a Bible-woman to visit among the foreign population, and administer to their bodily as well as their higher wants.  This mission is without any endowment whatever.

The success of the Great Exhibition inspired further similar international fairs elsewhere in mid-nineteenth century America and Europe.  It also left an appetite for a repeat in London and the realisation of this in 1862 was partly funded by profits from the 1851 event.  Delolme’s Establishment status was affirmed by his appointment to the Exhibition’s horological department planning committee along with elite clockmakers Cole, Webster, Bennett and Upjohn, meeting at the organising Society of Arts’ premises in the Adelphi in August 1861.

The Exhibition opened in Kensington in May of the following year with Delolme again contributing an impressive range of watches and clocks, reviewed as follows:

Mr Delolme exhibits many specimens, including marine chronometers, one of them with metallic mechanical thermometer; astronomical regulator, in plate-glass and ormolu case of entirely new design, with gravity escapement; the pendulum is suspended on friction rollers.  There are also transparent eight-day clocks, for night and day, with invisible movements of novel construction, and lighted by the usual night light; a watch, with metallic thermometer; and a first-class English independent seconds watch, with one train only, being on the principle of the remontoir escapement.

(The ‘remontoir’ solution to the problem of varying input force to the balance is succinctly summarized in Hodinkee’s Watch 101, https://www.hodinkee.com/watch101/remontoir-degaliteWatch 101 is also instructive in regard to the tourbillon feature seen in the chronometer illustrated below.)

Delolme received a medal in recognition of the excellence of his exhibits.

An example of Delolme’s later production appeared in the Dr Crott 91 Auction sales catalogue, May 2015.  This is attributed with number 8820 and dated to circa1875:

Courtesy of Dr Crott Auktionen

The specification is impressive, summarised in the catalogue:

A heavy hunting case pocket watch with minute tourbillon.  Case: 18k gold. Tiered, engine-turned, a goutte, gold dome with engraving.  Dial: enamel, radial Roman hours, auxiliary seconds, paste-set hands.  Movm,: bridge movement, keywind, signed, nickel-plated, decorated, chain/fusee with Harrison’s maintaining power, finely executed mirror-polished steel tourbillon cage, screwed gold chatons, pivoted detent escapement, gold screw compensation balance, pink gold train, freesprung blued balance spring.

Henry continued at the helm of the Business into his eighties – still recorded as a watchmaker (master), not a retired watchmaker – in the 1881 Census.  As mentioned earlier, son Charles, age 44, is on the same census return and described as a watchmaker.  There is no evidence to suggest that he assumed control of the Business before Henry’s death in 1890.  Equally, with the exception of Mercer’s citing of number 2248/1899, it does not appear that the Delolme name continued to appear on watches made after that date.  So Henry’s brand did not substantially survive him, but during his lifetime it was one which represented technical quality and aesthetic excellence.





Monday, 1 October 2018

The Great Exhibition


At the same time as the decline of the English watchmaking trade was progressing, two major exhibitions were mounted in London extolling the quality of British commercial enterprise.  This was certainly appropriate in regard to the manufacture of chronometers in London, but, as far as more mundane pocket watches were concerned, the wares displayed by many of the exhibitors had been made on the continental mainland.  Thus the Great Exhibition of 1851 and the International Exhibition of 1862, tended to represent British horological excellence increasingly in the form of retailing, rather than of manufacturing, expertise.

The Great Exhibition, 1851, (Crystal Palace):

© Victoria and Albert Museum, London

The event is well summarised in the V&A’s website, here


Horological exhibits are listed in the Catalogue in the section, ‘Class 10. Philosophical, Musical, Horological, and Surgical Instruments.’  47 entries relate to makers/vendors of pocket watches/chronometers, including:

1. Bennett, J. 65 Cheapside, Inv and Manu. . . . Marine chronometer.  Bennett’s model watch, on a magnified scale; constructed to show the most compact form of the modern watch, with all the recent improvements.  For more on Bennett, see The Old Watchword, post November 2015, here

John Bennett was born in 1814.  His parents, John and Elizabeth were watchmakers, living and working in Greenwich.  John Jnr carried on after their deaths, moving to the City in 1846 with premises at 65 Cheapside.  He eventually expanded these by taking over no. 64 and also had a presence at 62 Cornhill.  The business was successful and Bennett further elevated his status by becoming a councillor in the 1860s and a sheriff in 1871.  He was knighted in 1872.

Bennett’s business was attuned to the prevailing conditions with considerable savvy.  He sought to cut manufacturing costs as a response to the erosion of English makers’ market share resulting from the price competitiveness of Swiss imports, (which he decried), yet he had no compunction about utilising Swiss movements himself in his products.  Equally, he was energetic in his approach to marketing, his press advertising being especially prolific, for example: 



19. Delolme, H. 48 Rathbone Pl. Oxford St. Des. And Manu. – Gold watches, manufactured entirely in England.  Stethometer.  Marine chronometer.  I completed a study of Delolme’s life and work in February 2018.  Notice the difference in approach to the imports issue from that of Bennett whereby Delolme seeks to make an unconditional virtue of the fact that his products are, ‘manufactured entirely in England.’

Delolme did not however create his watches in London from scratch.  He utilised rough movements sourced from the Prescot (Lancashire) manufactories.  The London Daily News, 15 September 1851, reported Delolme’s exhibits as follows:

Mr. Delom (sic), of 48 Rathbone-place, exhibits a handsome collection of watches, containing many improvements in construction, the result of his long scientific experience.  By dispensing with the fusee he obtains more room for the other works, and is thus enabled to comply with the present taste for flat watches without any sacrifice of strength or durability.  The duty of the fusee in regulating the inequality of the mainspring is performed by an ingenious contrivance which he very learnedly calls an ‘isochrone pendulum spring’ – this sonorous epithet being the only part of his work which is not entirely of English manufacture.

Notice that Delolme lacked Bennett’s assertive marketing instinct – with modesty he refers to his prices as being, ‘comparatively moderate.’  His work though could be superlative, as seen, for example, in this Marine chronometer, #850, (c-1857):

Courtesy of Ben Wright Clocks

34. Barraud & Lund, 41 Cornhill, Inv and Manu – Marine chronometer with a model of a newly-invented compensation–balance.  Common marine chronometer.  Small gold pocket chronometer.

A fully illustrated overview of the firms involving members of the Barraud family over their long period of commercial activity – from c1840 through to the twentieth century – is provided here

Barraud Marine chronometers were of especially good quality and a considerable number were purchased by the Admiralty.  The auxiliary compensation invention referred to in the Exhibition Catalogue text was unusual in that it was based simply on a weight affecting the balance wheel.

Shown below is a pocket chronometer, #3/127, (1869):

Courtesy of Sotheby’s

35. Parkinson & Frodsham, 4 Change Alley, Cornhill, Manu – Astronomical clock, with mercurial pendulum, eight-day chronometer, lever watches, pocket chronometers, &c.

The highly respected partnership of William Parkinson and William Frodsham was established at 4 Change Alley in 1801 and was located there until 1842.  The business remained active, at Budge Row until 1947 – now that is longevity!

William Frodsham became an eminent spokesman for the English watchmaking trade – a natural development from his fulfilment of the role of Master of the Worshipful Company of Clockmakers in 1837/8.  In 1842 Frodsham was a leading opponent of the proposed British Watch and Clockmaking Company, by which Pierre Frederic Ingold intended to establish modern factory-model manufacturing as a means of making English products price-competitive with Swiss imports.

The Frodsham family became one of the very most important in British horological history.  William’s son, Charles, was already a successful maker in his own right by the time of the Great Exhibition, at which he was awarded a first class medal, his entry in the Catalogue reading:

57. Frodsham, C. 84 Strand, Manu. – Astronomical clock.  Marine chronometers.  Gold pocket chronometers and lever watches. The double rotary escapement.  Day of the month watch.  Specimen of gold lever watches, with the split-centre second’s-hand movement.  Railway watches.  Portable chime and other clocks, &c.

Charles Frodsham & Co Ltd trades contemporarily and on its website claims to be ‘the longest continuously trading firm of chronometer manufacturers in the world . . .’  Charles became every bit as influential as his father, and followed him as Master of the Worshipful Company of Clockmakers.

Charles was just one of William’s four sons, the others being, Henry, George and John, and they, and their descendants, forged careers in the Trade, helping to establish several firms: Frodsham & Co., G. E. Frodsham, Frodsham & Baker, Frodsham & Keen, Arnold & Frodsham.

This a typically fine deck watch by Parkinson & Frodsham, #4436, (c-1856):

Courtesy of Auktionen Dr. Crott


55. Dent, E. J. 61 Strand, 33 Cockspur St. and 34 Royal Exchange, Manu. – Large assortment of ladies and gentlemen’s superior watches.  Marine chronometer, with a glass balance-spring, glass balance, and compensation, for variation of temperature, of platina and silver.  Azimuth and altitude compass.  Dipleidscope.  Astronomical and other clocks, &c.

Edward John Dent, though not its original inventor, developed the dipleidoscope for practical use and patented it in 1843.  It is a device which supports the accurate setting of timepieces by observation of the position of the sun or moon.  As might readily be imagined, complex instructions were necessary, and Dent wrote a detailed user’s manual:


Dent’s business and more conventional – and very fine – products are covered in the 2015 post here, and here. His Marine chronometers were considered to be first class.  This example, dating from c-1850 is #2254:

Courtesy of FJ & RD Story Antique Clocks


5. Watkins, A. Inv. And Manu. – Eight day self-acting repeating chronometer, comprising 200 pieces of mechanism.  Small three-quarter plate chronometers, with hard cylindrical springs, jewelled in every hole.

My study of Watkins was published in the April and May 2016 issues of Clocks Magazine.  I have also featured his work here in the 2016 posts, here, and here

In a future post here I will look at some of the watchmakers represented at the 1862 International Exhibition.


Thursday, 14 April 2016

Small is Beautiful

Clocks’ Magazine in its April 2016 issue has published the first part of my article on Alexander Watkins.  Watkins was making fine chronometers in the mid-nineteenth century, trading from a prestigious London address: 67 Strand. 

For students of horology, Watkins is best known for his ‘miniaturised’ chronometer made for the 1851 Great Exhibition.  With its unusually small movement and gold, delicately ornamented case, it is a very fine aesthetic and technical achievement.  However, as I often find, there’s as much interest in a watchmaker’s personal story and the social/commercial setting in which he worked as in his design and manufacturing activities. 

So my article, whilst detailing some of Watkins’s watches and movements and his ideas for simpler watches to combat the influx of Swiss timepieces, also explores the circumstances of an attempted murder and the very marked divide in Victorian society between an affluent family and an ‘ordinary’ one.
 
1851 Great Exhibition gold chronometer
Courtesy of Sotheby’s
 
Watkins left a legacy of innovation and quality of work confirmed by the examples held in the collections of The British Museum and The Worshipful Company of Clockmakers.